Vol. One: Divin’ In
January 13th, 2009Written: 11.13.02 / Nashville, TN
First Recorded: 12.03.02 / Nashville, TN / Belmont University, Mike Curb School of Music Business (now Mike Curb College of Entertainment and Music Business), Studio B & Post Suite
Appears on: Muggswigz Live: Disc One (2003) (out of print), David Alan Wright Demos (2003) (out of print)
The Irving Sessions // Vol. One: Divin’ In
01.12.2009 / Minneapolis, MN
Video:
Divin’ In (The Irving Sessions) from David Wright on Vimeo.
Audio:
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Why “Divin’ In” first? I don’t have a great answer other than I always felt this song was strong. I liked the guitar melody on the intro the night I wrote it and I always felt great singing it. I think every songwriter has a song that while playing and singing they actually transcend into the song itself, the performance. “Divin’ In” is often that song for me. It was also an easy place for me to start as far as polishing very rusty Pro Tools skills.
Original Notebook with lyrics dated 11/13/02 resting on my new M-Audio BX-5a Deluxe stacked on a handful of GOOD magazines.
I wrote “Divin’ In” during the late fall of my freshman year of college at Belmont University in Nashville, TN. I arrived in Nashville with the intention of writing music for a living. I arranged to get a business degree at Belmont partly as a backup plan should my aspirations not pan out. It was also a way for me to surround myself with talented musicians without having to formally study music.
I remember hitting quite a dry spell as far as composing goes that fall. I wrote and recorded a song entitled “Tomorrow” in early September of ‘02, shortly after arriving in Music City, and though it had its moments, it lacked the type of hook that provides more than five seconds of a pitch in Nashville. Next I tried my hands at writing and, gasp, singing two country songs – “Paradise” & “Nashville Lights” – both decent, but I remember thinking at the time they lacked the polish of the songs I had written for my high school band 5 Seconds Late. Then came a creative streak of sorts which turned into a recording session on 12.03.02 at the studios on campus. First, I wrote “Until Then”. Ten days later I wrote “Divin’ In”, and between the two songs I thought I was slowly clearing a path toward a publishing deal, just months into my “career”.
I think I was surprised actually when those two songs didn’t receive the type of response I was anticipating. And I don’t think I really ever understood why until I went to record the ‘09 version for The Irving Sessions last night.
The pace and delivery were never right, not for the original recording and not for the live recording that followed in the summer of ‘03. So, for this rendition, six years later, I decided to take it much slower. I told my girlfriend Jenn after hearing John Mayer sing his cover of Tom Petty’s “Free Fallin’” that it was the first time I actually stopped to listen to the lyrics. And the lyrics are fantastic. But it took Mayer’s tempo and delivery for the song to have context. She told me she felt the same way about “Divin’ In” post-six years vs. the youth of my performance at 18.
And though it pains the perfectionist inside of me to do this, here are the archives for comparison’s sake. I guess this is what these sessions are all about. I would love your feedback:
Version 1 / Recorded 12.03.02, Nashville, TN
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Version 2 / Recorded 07.12.03, Canton, OH
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Version 3 / Recorded 01.12.09, Minneapolis, MN
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